e-books and profitability– What we’ve always said and publishers have always denied

You may all have seen an article in today’s Publisher’s Lunch discussing HarperCollins’ recent investor’s meeting.

Included was this chart, explaining why e-book editions are more profitable to the publisher than hardcover editions.

HCslide

This chart illustrates very clearly something that agents have been arguing for several years now, and that publishers have been saying just isn’t true: that their savings on printing, binding and distribution make up for the lower revenue from lower e-book prices– and that increased profitability is coming entirely off the backs of authors.

Look at Harper’s own numbers:

$27.99 hardcover generates $5.67 profit to publisher and $4.20 royalty to author

$14.99 agency priced e-book generates $7.87 profit to publisher and $2.62 royalty to author.

So, in other words, at these average price points, every time a hardcover sale is replaced by an e-book sale, the publisher makes $2.20 more per copy and the author makes $1.58 less. If the author made the same $4.20 royalty on the e-book sale as he/she would have on a hardcover, the publisher would STILL be making an improved profit of $6.28.

We have all heard the additional argument: that for a very large percentage of authors this is irrelevant since their advances don’t earn out– effectively raising their per unit royalty. That may be true, but it logically leads to what seems to me the most unfair aspect of all: That, therefore, the only authors that are financially punished by this system are the ones whose books perform very well. The ones whose books earn out. The big name authors and the celebrities whose books don’t perform to expectation are untouched; the author who gets a reasonable advance and whose book sells much better than expected are the ones who suffer the greatest loss.

How can anyone in this industry see that as defensible?

Publishers Lunch article: http://lunch.publishersmarketplace.com/2013/06/harper-shares-data-on-light-third-quarter-shows-investors-profitability-of-ebook/

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King of Kings?

So, just for fun, here’s a little link to the HuffPo’s excerpt of Stephen King’s forthcoming physical only book:

http://huff.to/11dQlTe

The more interesting question, to this particular agent, is what happens when an author who doesn’t publish a book every twenty minutes makes the same decision. King is indispensable to his biggest fans. But it’s not exactly a torturous wait for his next book. He’s got a full length publication slated for a mere 3 months after this physical only title. Would be interesting to see this tried by an author who TRULY has a fan base waiting on pins and needles. Of course that makes the risk greater. But nothing ventured nothing gained.

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Yahoo! for what?

Though the implications, the cost, the strategy, the future, the “synergy”, the EVERYTHING about this potential Tumblr/Yahoo deal is unclear, it’s important. Tumblr has been a megaphone for a lot of authors. So is Yahoo going to kill the switch or serve as megaphone?

http://nyti.ms/12P8U37

 

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Candace Bushnell Hacked–a different take

http://www.digitalbookworld.com/2013/guccifer-hacks-candace-bushnell/

Interesting take on the benefits of books being hacked pre-pub–at least for best-selling authors.

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Author Content Sold as Subscription with no Pay-off

Maybe everyone else on the agent-planet is aware of this trend. Two of my clients were just contacted, each by a different organization, but for a similar purpose–Author Solutions (owned by Penguin) and Flow Media, respectively. The clients were asked to be interviewed on camera or phone for multi-media use by the company with the promise that the authors would be allowed use the tape for free to help promote their books–this benefit was hard sold. What particularly concerned me was that one client agreed without reading the fine print of the release form (and it WAS fine print) that her interview could be sold by the company–she felt she was pitched that this was a free service to aspiring writers. And now her interview is being sold as part of a subscription with no pay off for her. The other client did not agree to go forward despite the hard-sell that this was a “promotional opportunity” for her–her interview would have been part of a “CD of the month club.” Important to be alert to these services–and what it is they are actually requesting.

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Barnes and Noble nook revival attempt

Take a look at the DBW piece on an effort to revive the Nook by opening up to Google Play–in other words, millions of games, movies, TV shows and more– through Google Play rather than only offer it’s proprietary apps system.  This may well end B&N’s Nook-specific app development.  Good to see them thinking expansively; gives one hope….

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The Atlantic launches a New E-Book Division

Given all the recent press about Kindle Singles and the Atavist, it’s interesting to see that The Atlantic magazine is launching an e-book division. http://bit.ly/102S0e6

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Witness Imprint at William Morrow to Launch in October

http://bit.ly/12hg3HG

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New UK Digital Imprint

I am always interested in international digital imprints, given that we’re still hearing that digital isn’t picking up in other countries the way that it is in the US, let alone the sort of self-published/independent author-mindset.  Perhaps that will be changing as more international publishers add imprints that take submissions directly from authors?  See below:

HarperFiction in the UK’s new digital-first imprint, HarperImpulse, is accepting manuscript submissions directly from authors. HarperFiction Publishing Director Kim Young, who is running the imprint with content developer Charlotte Ledger, got what she asked for during their first month of accepting submissions. In an interview with Love A Happy Ending Magazine, Young said, “With our new digital first imprint though we want to hear from everybody and hope to increase that number!” Young said her women’s fiction team at HarperFiction handled about 12 submissions per week, but HarperImpulse “received nearly 500 manuscripts in less than a month and has three acquisition deals in the works,” according to their press release.

HarperImpulse is based in the UK and accepts submissions from UK writers and from international writers. In a call for submissions on the Authonomy blog, the editors of HarperImpulse said they are looking for “all sub-genres of the romance spectrum, from fun & fast Adult and New Adult genre fiction to more mainstream novels; particularly contemporary, historical, paranormal and erotic fiction.” Young told Love A Happy Ending that she is is focusing on New Adult novels for “the next big trend.” With Harper Impulse, Young and her team hope to build on the fantastic storytelling of authors like JA Redmerski with the support of HarperFiction Marketing, Publicity, and Sales teams to keep up with trends in the digital realm.

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The Last Holdout: S&S Announces Pilot eBook Lending Program

Simon and Schuster has just announced an ebook lending program with New York City area libraries that will begin next month. The program allows libraries to purchase all S&S frontlist and backlist ebook titles currently available, with new releases available on their release dates. The ebooks will be available for one year from the purchase date with unlimited checkouts. Each copy of an ebook can be checked out by only one user at a time. In addition, readers can purchase their own copy of an ebook by clicking through the library catalog pages. Through the S&S pilot program, the library will receive a share of the proceeds from the sale of ebooks from click-throughs. Queens Library President and CEO Thomas W. Galante said in the press release, “This bold new program is an important step in the right direction. It not only gives our customers access to some of the hottest titles; it also offers an innovation to allow patrons to purchase titles and support the library at the same time. It’s a win for everyone.”

The New York Public Library reported a 168% increase in ebook borrowing last year, a growing trend in library lending. According to Library Journal’s 2012 report on digital lending, “average circulation more than doubled from 5,000 to 11,000 between 2009 and 2010, and then quadrupled from 11,000 to 44,000 between 2010 and 2011.” In addition, 27.8% of libraries offer mobile reading devices for circulation, according to the American Library Association.

Simon and Schuster is the last of the Big Six publishers to announce a library e-book lending program. According to the ALA, ebooks have been available to libraries from Random House and HarperCollins for the longest time. Frontlist titles from HarperCollins can be checked out 26 times before the license expires. Backlist titles are available from Hachette for library circulation. Penguin, after a nearly year-long hiatus, re-launched a lending program starting in the NYC area on October 1st, 2012 which allowed libraries to purchase frontlist titles six months after publication.  Macmillan affirmed in January of this year that they would soon begin a lending program for the Minotaur backlist for two years or 52 lendings, whichever comes first.

NYPL President Tony Marx said in a press release, “This is a path breaking step that will ensure that as ebook readership grows our citizens can enjoy access to books akin to what the library has always provided.”

 

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